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An abstract record made of points of light. The scene changes as you scroll. The opening record can be turned with a drag or the arrow keys. No information depends on the motion.

Played from
records.

A whole set played from records, for any kind of event. Miles, Brandon and Lee were all vinyl DJs first, and they still have the records and the hands for them.

Ask about a vinyl set

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A still record of light.

Vinyl first.
All three of them.

Nobody picked this up for the website. Miles, Brandon and Lee all learned on records before anything else, and you can still hear it in how they play.

Miles grew up with a dad who kept crates of records and a house full of music. Trumpet and guitar first, then turntables, then Buffalo’s club scene, then Los Angeles.

Brandon grew up around his father’s record collection. His father, a Bronx native and one of the early disco DJs of 1979, passed down both the skills and the spirit of it.

Miles behind two turntables with gold records on them and a mixer between, headphones around his neck, a lit sign with his name beside the decks.

What it changes in the room

The records are chosen for the night
The crate is packed for your room, your hours and your guests, before the day.
The crate is finite
A request on the night is answered from what is in the box. Anything outside it has to wait for a different kind of set.
You can hear it
Records mixed by hand, one at a time, picked for whoever is on the floor.
The booth is part of the picture
Two turntables and a mixer are visible in the room. Some rooms want exactly that; some would rather the booth disappeared.
Miles behind two decks and a mixer in a studio, neon light drawn in a loop behind him.

What it asks
of the room.

Nothing unusual, but it is not nothing either. Say the venue early and we will work it out with whoever is already holding the room.

What a vinyl set needs

Space for two turntables and a mixer
A wider booth than a controller asks for.
A stable surface
A solid table that stays put when the floor starts jumping. The needle feels every wobble.
Sound for the room
A system sized to the space and the headcount, the same as any other booking.

Where it tends to suit

Cocktail hours
The arrival and the first hour, before anything is announced.
Dinners
Music that sits under the conversation, never on top of it.
Lounges
A long, slow build in a room people move through.
Brand rooms
A booth that looks like something, and records chosen for the brand.
The first hour of a wedding
Records through the ceremony and the cocktail hour, with the rest of the night played the usual way.
A hand on a gold record on a turntable, outdoors in daylight, a mixer beside it.

The three who play it

Ask for it
on vinyl.

The date, the venue and the hours is enough to start. The form opens with the kind of event already marked as a vinyl-only set.

Ask about a vinyl setThe Collective